© 2026 Yasuhiro Nightow, SHONENGAHOSHA / TRIGUN STARGAZE Project
“Love and peace,” dozens of Vash cosplayers chanted at the scene triangle gun stargazing New York Comic Con panel hosted by Crunchyroll. It’s a lofty dream for Vash Stampede, the beloved pacifist gunslinger of the Norman desert. In the group discussion, three shots cartoonist Yasuhiro Nightbirdwhose comics began in 1995, were interrupted for a time, and then continued as The largest triangle gun (1997-2007) said, “As people begin to discover three shots pass stampedeI feel the love for Vash… love every Vash, I feel the love for everything… I love how we love the same but different Vash. “
This reimagining extends to other stampede and stargazing As fans discovered during an exclusive two-episode premiere, the cast stargazing.
Since the last episode, the humanoid Typhoon has been carrying a huge weight on his shoulders. Three gun attack. Vash not only (Matsuoka Yoshitsugu) had to watch helplessly as his brother’s million-dollar fortune disintegrated (Junya Ikeda) – Just when people are keen on wiping out humans and creating a utopia for powerful plants like them – Jurai Metropolis has been destroyed into a huge crater due to the fierce battle between Vash and Knife.
Before I get into the two episode premiere triangle gun stargazingafter the last chapter stampede (directed by futures and Xiaoxi Takehiko Credit to the original story), but I should admit that I haven’t quite gotten used to Orange Studios’ 3D rendering of human (or humanoid in the case of Vash and Knives) bodies moving around the Norman lands. Three gun attack (Design expressed even more eloquently in anthropomorphic creatures beast star). Although there are many beautiful backgrounds, such as the cratered moon setting over the desert, a sobering reminder of the aftermath of the disaster, I rarely felt that the characters (Kui as a concept artist and original character designer as well as Kiyotaka Oshiyama As an animated character designer), their costume fabrics and hilarious gags are as unique and industrial as the 1998 original madhouse The anime, though, pushes the envelope with its range of facial expressions and fighting bodies. But besides that, orange studio Showed adequate ability in shaping the ramshackle western and cosmic atmosphere, even if I felt the orange faces looked too pale compared to the others. madhouse design. Although I prefer madhousethis orange studio Restart three shots Despite my difficulties, it was still fascinating.
Episode 1 stargazing reinforces this troubling issue. As an adult Meryl Striff (Sakura Ando), a young reporter wonders aloud: “How will plants and humans coexist, especially when plants have become sites of exploitation?” “There is no exit from his maze,” one character complains. Meryl is at least in good company. She is now in a professional partnership with carefree gunfighter Milly Thompson (Ganmori Qianhua), a long-awaited fan favorite that complemented Meryl’s no-nonsense demeanor. stargazing Millie was given a powerful and epic introduction (of course, she’d go crazy over banana splits!), but there were caveats that made her early iterations fascinating from the start: She didn’t (so far) have the iconic coat to hilariously store her cylindrical shock gun like the original madhouse Japanese cartoons. The outfit accentuated her and Meryl’s unique figures.
The first-episode premiere ends up being an appetizer for the second-episode rib-eye, knocking it out of the park with a classical tragedy that feels satisfying on its own while advancing the overall plot. So, episode two tackles an insurmountable problem: How to awaken Vash’s sense of purpose?
This leads to another question: why stampede Characters appear to be replaced with another stargazing? Unless clarified later, it can cause confusion because it will be perceived as a loss of continuity. However, I found that issue gone, replaced by the psychological intrigue at the heart of the second episode.
I can let go of what I know. As seen last season, in an unknown location, Vash survived the fall of Jurai, but he left behind an amnesiac, now named Alex, who nervously pounded a key on the piano in mourning for his twin brother and the mortals he failed to save in Jurai. Renderings show Vash’s body deteriorating into a robot unable to care for itself.
The episode takes a close look at the aftermath of Jurai’s fall through the lens of Vash’s unexpected caretaker, a character who appears in the comics and anime. In the beginning, especially when you get into stampede and stargazing Never experienced it before three shots Physically, it’s easy to assume the caregiver means well, but then, as we read the quiet friction in the stares, observations, and growls, his reasons are recontextualized or distorted every five minutes we sit and observe the caregiver’s actions and reactions. He was repressing his anger.
If I have one warning about episode two, it’s that there’s little effort made to flesh out the interiority of a disabled character as a motivational object during the 22-minute runtime. The result is that she looks more like a doll than a person. For a series that reimagines familiar characters, I wonder why she remains stagnant as an icon.
Still, the emotional devastation hits like a ton of space debris. What’s memorable about this episode is the twisted morality of the caregiving relationship with Vash, who goes from being an object to a new target. How much of his caregivers’ motivations are driven by resentment, or even a complicated kind of kindness, or a combination of the two? His last words in the episode hint at its many contents, as if kindness and cruelty can go hand in hand. It oddly fits the “love and peace” that Vash is looking for.
