Does this sound familiar? A teenage girl with discontent and social dislocation feels, one day she discovers that there is a whole supernatural world under her nose and blends with a hot werewolf and a handsome vampire. More than just twilight It uses that setting, although it may still be the most famous plot example in the field of teenage literature. (But trust me, it works with adults too – just ask Anita Black or Sookie Stackhouse.) I mentioned here because in character comments, the creator akira Reference indeed twilight When it comes to the creation of the heroine Ema… because they want to make EMA as ema as possible. This means that despite some similarities, outsider Actively trying no become twilight For some readers, this will be enough to make this opportunity.
Unfortunately, despite this having good intentions and some interesting elements, the whole book is a bit confusing. After Ema lived with her sister Yuko, her parents were willing to be as kind as high school students before the time specified. She has a range of weapons like Tasers and CrossBows (no guns appear to be), half-age motorcycles, and GPS trackers installed on her sister’s phone. The story opens when Yuko fails to come home from the work party on time. EMA immediately opened the app on his phone and began to figure out where she was certainly armed. When she finds her sister, she also finds Tamaki (Vampire) and Taga (werewolf), who are mean to be found. That’s because Tamaki thinks he can wipe Ema’s memory with his “magic eyes” and that’s something I don’t have to tell you about his failure. Tamaki couldn’t shake the lasting teenager and chose to hire her (and her sister). We weren’t sure if this was going to get her close so he could follow her or because he found her attractive.
In Volume 1, three quarters of three quarters, we learn that Tamaki is three hundred years old, while Taiga was in the mid-30s. Although neither of them looks like this, this may stop some readers because it is obvious that the story is trying to create a triangle between them. Tamaki once pointed out that by vampire standards he was a child, but swallowing was still a little difficult, especially when he seemed to hit everything with his breasts crossing his path. (Authentic, there are two people in this volume in total.) But EMA is sure to be sixteen years old in her thoughts and actions, which makes the three at least a little uncomfortable because she has added a boy to her age, but their age hasn’t done much to relieve things.
Kanou’s view of werewolf and the legend of vampires is very interesting, although not enough differences to stand out. Vampires are known as “Aeternitas” and “vampires” are derogatory things that can only be killed by ingesting werewolf blood. Werewolf functions more like a gear lever than traditional werewolfs, meaning they can take over the furry form at any time, while the full moon can only strengthen its strength, or make it harder to stay sane among Taiga’s cousins of Taiga. It shows the real effort to make myths the author himself, but this is plagued by the biggest problem of the volume: many of them have no narrative meaning at all.
The flow of stories is very disconnected and we do not provide information reasonably or intuitively. The reader just threw a piece of it to attract people. The role motivation is unclear, and the two adult men have made the teenager labels not make them feel natural or necessary. It’s almost worse because we can see the creators work so hard. There is only a disconnect between the reader and the author, making the story unable to follow the attitude it should be.
The art fares are a little better, although the best are the cover color art and the ads for the second volume. This is a book that can benefit from larger decorative sizes, as Kanou’s detailed art feels cramped here, just like the page is full of bursts. Overuse of tone can also hinder, sometimes making it difficult to figure out exactly what we are looking at or how to position the body in space. Pages with larger panels look better because art has room to breathe. It is almost impossible for small panels to grasp what is going on.
outsider It’s a book that should be better. EMA is not a bad heroine, and both Taiga and Tamaki are at least a little fun and have a hook at the end of the roll, which means Ema’s always The supernatural belly close to Tokyo is solid. This is my debate about reading the series, and I think my final conclusion is: “If I find it in the library.” It’s also a good rule of thumb for this volume.
