Although Sanrio Characters (and character merchandise) are popular among all ages, assuming the animation features are suitable for younger audiences. My melody and black There was no challenge to the idea at first: its first six episodes focused on the sweetness and light of my melody, and the various schemes of Kurom to make she Candy stores are more popular than neighbors. The positive pink and fluffy feels like basic kid feed and doesn’t appeal much to older audiences.
Then things get dark. Honestly, there are some dark hints in the earlier plot. Once, it seems my melody sheep friend Sweet Piano kills a man (she doesn’t), has a toothy killer cake, and episode four introduces the idea of cyberbullying through social media. But it wasn’t really turned into something shocking until Episode 6, which shows the dangerous side of the heart’s help. Black hair and my melody are chased by avid ex-friends with red eyes, drooling and infinite hunger. It was the kind of scene that made me completely terrified from a young age and it was still unsettling as an adult.
This isn’t even the scariest part. Episode 10 and 11 explore the forms of body horror, cannibalism, and the terrible reality that sometimes your best intentions are distorted by people you can’t control, resulting in unforeseen traumatic consequences. It was frustrating to watch the character’s father be eaten by his former friend in episode 10. All of this is to say, if you have a little Sanrio Want to see this in your home fan, I recommend watching it with them, because something that looks sick at first does have some horrible elements.
The plot revolves around a one-sided competition from the Black Monster and unfolds in my melody. Both rabbits run sweet shops on the river from one another, but where my melody flourishes, kuromi is a failure. Most of the time, this is due to Kuromi’s lack of skills in choosing tastes. Her favorite is pickled onions, and she can’t completely wrap around the heads of those who are not as good as sweet bean paste. My friends of melody, flat and piano (two lovely musical terms) want to stop kuromi, but my melody has a beautiful and pleasant effect in life, which is the strange heart she releases and takes home to find in the forest. Mr Heart calls him he can use a sprinkler shower that changes them – heart-shaped sprinklers bring pastries to life (biscuit birds and bats, transformed cupcakes) and regular sprinklers to make any taste amazing. Unconsciously, my melody uses Mr. Heart to attract more people to her shop, but in the end, Curom grabbed this and it turned out to be a disastrous result.
It turns out Mr. Heart is part of a larger plot and is a constant metaphor. He comes from a kingdom in the clouds, ruled by a giant white bear, who played a role in the fall for two reasons, both related to his sprinkling: as a metaphor for addiction, and an example of how overwhelming greed fights back against people. The latter is important to the plot because it provides the backstory and motivation for Mr. Pistachio. His role is not as good as the catalyst, aiming to reach a similarity between Mr. Pistachio, my melody and Black Lomi. Mr. Pistachio and Black Yuan are both motivated by greed and desire to be the best, and for both of them it is informed by social media and comments. (Many rewards point to the series’ speaking Bluebird Representative Tweets.) My melody isn’t driven by any motivation to make people happy, but despite her good intentions, her use of magical shortcuts has consequences. People often accuse Black Monster of taking a simple way out, but my melody does the same thing, and all three animals have to find a way to redeem their characters.
As I mentioned before, this took a darker approach in the second half. There are some really frustrating images, Mr. Pistachio spends the last third of the show, one of his arms engulfed by mold so that the bones can be visible. This is a proof of art and animation. My melody and black It is a fixed format series that mainly uses the look of dolls with polymer elements (eyes and mouth, girls’ hood, kuromi and Flat’s Tails), which is definitely a win. Smooth and creative (the swirl of fibers is used to show dissolution or excavation; the plastic beads on the rope are water, bubbles and sprays in the fountain), and the performance is unique and exotic. This makes the horror aspect even more prominent as they juxtapose (and on) the charming felt characters. When it intentionally wants to be and always has the feeling of playing with a child, even when it gets dark, it’s just incredible.
Audio is available in multiple languages; I watched Japanese and English tracks. I prefer English Dubbing Because it feels less cute and twee, the recording of the sound is slightly lower. However, both actors will do well, which depends largely on personal preferences and whether you want the nonverbal piano to say “Mey” or “Baa”. By the way, whatever she says, the piano is the live stealer of this series – Little Lambs are all certified badass, and the sequence of action in the final episode is great.
My melody and black Have something to say without preaching. Only part of it is about the power of friendship™; the greater message is about patience rather than listening to the twitter bird with nothing to say, and always keeping your eyes open to your own movements. Beautiful animation and surprisingly dark, this may not be strict, but I think anyone can find something to enjoy.
