Episode 4 – CITY The Animation

That might be the best chase scene ever for animation, right? Don’t get me wrong, model train from Wallace and Gromit: Wrong Pantsany chase scene Cagliostro Castlealmost all Red line There, but it’s hard for me to think of a chase sequence that is as fascinating, crazy and fun as the closing ceremony of Episode 4, Episode 4, Episode 4, Episode 4 is closed, crazy and fun City animation. It’s by far the slowest and most wholesome episode of the series, and it’s a grand gradual approach that I can’t stop thinking.

For a little backup, this chase is motivated by the adorable rabbit cat Mimineko, who escapes with Niikura’s small box. The jewelry ended up in the cat’s property, as Niikura kicked it away after Nagumo noticed it, which almost certainly means there’s something cute and queer-coded inside, like Niikura’s first ever photo. Like many segments in this episode, this point was previously an interstitial feature, with characters passing through the same crosswalk. I think it’s just a cute way to transition from one set of characters to another, but nothing! It is part of the chase, where characters are regularly trapped or exploited by blocked intersections so that the duck family can linger.

I know I should probably start these comments by focusing on the beginning of the plot rather than the end, but between stellar animation, character-informed writing, general wholesale and uninterrupted laughter; it’s everything I like about this show, all stuck in the strongest few minutes I dared to watch this sequence City animation.

As for the rest of the episode, it’s a little slower than I’d expect from the show, but is largely based on previous plots or setting up new characters in this ever-expanding ensemble cast. Tatewaku’s permanent riku izumi (to be honest, who can blame him?), followed by the heels, two parts focused on his young love. The first and open part is that the teenager cannot admit his feelings and even talks to his crush, and the second involves his father, Tsurubishi, tricks him into another embarrassing situation. Although I really like the former, the latter is mainly done in dark corridors CityThe animation advantages.

Tsurubishi’s specialized segment, he’s trying to be a regular at a new restaurant near him, feels like the comedy style of the show, but it’s still fun. I think you should leave the comedy that focuses on social norms, Tsurubishi worked hard to develop what he thought was a cool dynamic, strangers immediately proved more difficult than he expected and were shocked in his face when the restaurant unexpectedly closed. This is probably the most rooted City Moreover, the more included sequences only make the intentionally quirky chase scene at the end of the plot even more surprising.

When I like Tanabe and her super-powered butler (and the reappearance of football ace Genjirou Masago), I will need to see more interactions between them and other characters before I can tell how their fantasy works in the wider show.

This makes the text play clip with ecchan and matsuri. and Dubbing The actors do a great job of adapting to the scene and injecting some great middle-school nonsense energy into it, and it works much better in original Japanese, and I suggest people experience this scene in this language. I also felt my heartstrings tightened when Ecchan approached Matsuri when she revealed that her family was about to leave, but I started playing with her, playing with her, and cutting them alone for an afternoon, further confirming their baby queer identity.

City animation It is quickly approaching a certain amount of joy, and if you like life, you will love this show. Although this is already a necessity for anyone Nicohu Enjoyer, this should also watch any comedy and anime fans every week. If nothing else, this is the latest episode City Once again, it makes me feel like I’ve seen the best anime plot I’ll watch all year round, and also have the confidence that the next episode will stand out in some way.

grade:

City animation Currently flowing
Main video.