Just two weeks ago, “Severance” cuts actors Hanako-kun in the toilet half. Now, with the “Red House”, the focus has become more minute. This episode specifically talks about kou and what is important to him. This classic haunted house setting has given way to a more obvious hanako-kun dark fairytale atmosphere, where the malicious intention of the house expresses itself through precise logic, just as the boundaries may be. After revealing the identity of the mysterious child, there is a story about two little brothers in this story. Despite my thoughts of spending a week, this episode only asks more questions, but it lacks answers, but it makes up for it in the emotional rewards.
Nene has been dealing with the Phantom for most of the year. Even if he is tangible and warm, she shouldn’t be fooled by this exciting child. I like the classic telescope of the monster that was just kicked out when Kou’s phone screen briefly reveals the giant face outside the door. But Nene made a taboo, and now Kou and his kids quickly identified it as tsukasa pick up the pieces, the only person in a big weird house. At first, the Red House seemed to hold it with tape and found a camera-style horror object. But soon, the crazy methods of housing began to develop. When Kou was hungry, a burger appeared. When he wanted to use his weapon, a very sick sword popped up. Even if the house offers a stronger desire fulfillment in the form of Mitsubishi and Tru, and a particularly vicious Hannako-Kun (and therefore, kou does not have to contradict him), the young exorcist is not fooled. Eventually, the house took out all the stops and showed Kuy his mother. Finally, here we see what is needed to shake kou’s defense capabilities.
Kou’s dead mom is no different from other dead anime moms–when Kou was nine years old, she succumbed to a vague disease. Interestingly, how similar she is to Mitsubishi’s mom, who gave Nene and Kou a warm welcome last week, as well as Amane and Tsukasa’s mom, who will do anything for her twins. There must be a good mother script Hanako-kun in the toilet Everyone follows; they all raise this warm, loving atmosphere. These three mothers (two of them died, one of whom did not live with a child) were crucial to the teenage protagonists in this show. Because it’s a performance about supernatural, its beating heart is the relationship that binds us together through family, friendship and romantic love, they are so powerful that they go beyond the boundaries between life and death. Seeing this gentle domestic scene is almost enough to shake Kou. For Tsukasa, similar family wishes do prove to be his game.
What do we know about Tsukasa? Most of the time, he is a terrible little Gremlin: Amane’s cruel, colder brother. But what if the Tsukasa we know is not the real Tsukasa? In the flashback of this episode, Tsukasa is a playful little brother who collects dirty treasures to share with his bedridden big brother. His love for Amane was so great that he even made the ultimate sacrifice to save Amane’s life. In return, Tsukasa is forever trapped in the Red House…so who is the phantom that looks like him? Is this? hikaru died in summer Not having Tsukasa’s own body? If so, who are they? Something really strange happened here, and now Tsukasa asks in his blunt, childish way if it will happen again. He’s been asking about the library like Nine, if he like Mitsubishi, if he like His mother-He asked in the flashback if Oman loved him the way. Love is obviously the main factor in the way Red House signs a contract, and Tsukasa wants to know how Kou will fulfill his wishes. Although this episode includes performing typical humor and beautiful dark fairy tale landscapes, the tension is overwhelming. I feel like we are on the cliff, shaking on the edge of the abyss.
Hanako-kun in the toilet Season 2 is currently on the air
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Lauren is a Free reporter Focus on anime fanaticism. Both of her children Gundam figure.
