Episode 11 – Rock is a Lady’s Modesty

With the band’s rearview mirror battle, Locke is the modesty of the lady Focus it on Lilisa and her noble pursuit of becoming a noble girl. This is not progressing well. It’s no surprise, because it’s hard to imagine the conclusion of this series that Lilisa won the championship by continuing to suppress herself to “save” her mother. This will go against everything the show represents so far. However, it makes sense for Lilisa to believe she can still do this as she continues to maintain the barrier between band and non-band life. She is a stupid teenager. Let the sinless among us drag her into the comments.

Speaking of the band, the episode begins with a fun little scene that shows how their dynamics can quiet down. Tamaki finds her pride exit by tutoring Lilisa in the art of guitar. Otoha gently relieves Tina’s insecurity while complimenting her ample arms. Tina picked out the Tsundere quality of Tamaki. Otoha briefly indulged in Tamaki’s fallen fetish. I think this ensemble is going. More importantly, they are comfortable with each other now. Despite their varying skill levels, the courage to face adversity unites them, which should be their ace card because of everything that happens with the boy band on the cliff.

Meanwhile, Lilisa is still skilled and dedicated to planning for the aristocratic girl’s position. Rock LadyThe narrative toes have a good line between admiring her dedication and worshiping her for her innocence. Apparently, she took the student union position seriously and showed nothing to show that she could not hear her plans and suggestions. However, Fujimurazaki gently condemned her for interrupting tea’s time, while the reality of her situation collapsed. This is the cruel fact: there is no upper level liquidity. Lilisa has no additional effort to make up for the lack of basic privileges of her peers. A former noble girl bought her own way by donating a building. Lilisa might as well try to avoid the sun, as this is equally impossible for her.

Yayoi appeared because the cold avatar of the Lilisa system was not good. She is a portrait of institutional wealth, a beautiful facade that obscures the cruel capitalist plot behind every step and gesture. She is also a poor character. When the principal recites the motto, “Sacrifices and Services to Maintain Family Prosperity,” the surgical word there is “Prosperity.” Even the aristocratic girl eventually surrendered to her wealth and her accumulation. Therefore, the family has become authoritarian. Rock Lady Especially the horror of patriarchy is correctly invoked. Yayoi mentioned her father’s request to withdraw from the harp.

On a technical level, this episode impressed me with how it cleverly establishes threats around Yayoi’s presence. First, she is everywhere like a horror movie monster, and her instinct appears in the wrong place at the right time. She also exudes that kind of over-friendly courtesy that puts me on the edge, speaking as someone who grew up between Philadelphia and New York City. Unless there is ulterior motive, people will not take such good actions. Yayoi also deliberately went with Lilisa toys, because she knew Lilisa could not refuse her, so she dragged her to the whole school. To match this mood visually, the episode introduces clouds that gradually encroach on the scene until they completely cover the sun with Yayoi’s dark apocalypse – a girl without a guitar can become a noble girl. She smashed the door on Lilisa’s face and kept smiling.

Lilisa has correctly speculated that she will play the Zero Sum game to become a noble girl. But, Yayoi proved to her that her funding is much lower than any of her peers. This is also related to Yayoi’s introduction. While I first thought the clumsy plot was because she just heard Lilisa’s sigh at the guitar, coincidence worked against a grand background. Lilisa needs to be alert to behavior that her peers don’t have at all, and a slip is to lift everything off her. This is unfair, and that’s the point. However, Lilisa does have an advantage. Less gameplay means less loss.

Lilisa’s final move to guitar variation catharsis ends these events with compassion. After meeting society’s expectations all day, she reiterated that music is not only “interesting” to her. It’s a medicine. It was the only thing that stopped her from exploding. I was really moved to see that Otoha also stopped herself from accompanying her. It proves that their relationship is not only physical. Otoha loves Lilisa enough to be in her emotional state, and she lets herself vent without bringing her own luggage or pleasure. We won’t see that side of Otoha often, and I hope Lilisa will disarm her again in the future. However, for the time being, Otoha has left behind the famous quote from Pete Townshend and hopes their band continues to look for a variety of questions.

grade:

Locke is the modesty of the lady Currently flowing
Hidive On Thursday.

Steve is on Bruceky Meet all your release needs. He is modest as a mouse. You can also let him talk about trash and treasure This week’s animation.