If there are two ongoing narratives that are queer novels, they are dealing with homophobia and coming out. Both are real and important in novels and real life, and they should definitely be given space in these stories. However, they don’t need to be the only focus or lens for us to experience strange novels, and See this word‘ Stay with me after the rain Understand this. Both exist in this series, including internal homophobia. Instead of introducing the whole story, they are just factors in the character’s life, the things they deal with when they find a way to make their relationship work.
The couple in question are Kanade and Mashiro. Back in high school, the two became quick friends Mashiro transferred from Tokyo, while Kanade, a gay man who knew he had been long, fell over his heels for another boy. But between father’s expectations and inner homophobia, Kenard never said anything. After graduation, he deliberately broke the connection with everyone in high school. Eight years later, he lived in Tokyo and worked for a recipe publisher and was deeply dissatisfied with his personal life. He never really fell in love again, was the king of self-destruction in interpersonal relationships, burying his feelings and direction under lies. One day, when he entered the cafe to find Mashiro, he was forced from the weight of pain. Mashiro was ecstatic and met Kanade again, and he pushed until Kanade agreed to meet. Another man was surprised when Kanade finally told Mashiro how he felt, but soon came back: “I love you too.” Kanade spent most of the first volume trying to get himself into accepting that Mashiro means romantic love. In Volume 2, they start dating, in Volume 3 (technically a sequel series). Qihai They publish together.
Each volume is filled with quiet moments of intense significance. In Volume 1, a colleague pulls Kanade aside and grills in a sexual orientation. The basis for this was that he lied to another female colleague, rejecting her proposal and saying that he had a girlfriend. The woman firmly believes that Kanade is gay after meeting him with Mashiro, and she not only interrogates him, but also wants him to volunteer to go out and make the other woman feel better. Kanade eventually expressed the question to his colleagues, saying, “The single crush is part of life. Why do I have to come out and make her feel better?” It’s a simple statement, but a statement that resonates because he’s right – no He must go out for the benefit of others. This is Kanade’s right to maintain his sexual orientation. We rarely bl Comics tend to occur in a major male world or in comics where homophobia does not exist. Rakuta, including this scene, is important, especially because Kanade himself is not satisfied with his identity. His words remind everyone that his Fighting, no one else.
Volume 3 deals with Kanade and comes out to his family. In Volume 2, Mashiro does. His relationship with his mother is the furthest thing to be healthy, and the scene is even more important to the way he learns to cope with her emotions (and possibly even sexual abuse). After his father died unexpectedly, his mother became very close and continued to perform stunts (“I’ll throw myself off the bridge so you’ll notice me”). Mashiro’s grandmother tried to relieve this stress, and by volume 3, mentioned the “drug”, so we can assume that grandma brought her to the psychiatrist. Mashiro and Kanade ended their relationship for the first time, which was secondary to the sexual scene. This is important in several ways: Kanade finally fully embraces himself and his sexual behavior, and Mashiro is overcoming his mother’s unhealthy attachment and relationship style. It’s not only about passion, but about love. Men smile, play with their own experience and happiness, and listen to each other. It’s about people whose heart and body are fused together, something lost in the sex scenes in the novel. It’s a very healthy description and it’s heart-warming in itself.
This also helps to direct Kanade to finally come out to his parents. Again, it was a very good deal, and there wasn’t even a moment to decide the third volume. That would be learning things like “trivial matters” and “expectations” when two people live together. This is a series of important discussions and may be very familiar to the reader. The biggest problem with Kanade and his father is that Kanade is not the one his father expected him. He will not have any biological children. He will not be a woman’s husband. Essentially, he wouldn’t be a carbon copy of his father, not a homosexual, and that’s the problem with his father’s dysphagia. This is a very real, real, very common question. It’s hard to swallow if you don’t “bear” what your parents envision for you, and that’s the root of Kanade’s insecurity. Rakuta handles it very well. This is me bl comics.
Stay with me after the rain In the first three volumes, this is a very friendly story. Although each volume is more or less independent, they are all built together, forming photos of two people overcoming obstacles and finding happiness together. This is a love story, not a romance in the genre sense bl It’s your preference, and this is a series worth mentioning.
