Senpai is an Otokonoko: Sunshine After the Rain Anime Film Review – Review

None of us merges as much as we seem. For this reason, few people are the people we think they are, and these difficult truths are Senpai is Otokonoko Movie, Sunshine after rain. Arguably, these have been the subject of the series, especially two of the three clues about McTor and Sarkey. Makoto, though identified as a male, prefers feminine clothes and decent. Saki’s problems are somewhat obvious, but as the TV series (and comics) continue, it’s clear that she’s struggling to understand her needs and express them. Instead, she wears a lively, cheerful face, which is extremely challenging in the series’ conclusion.
Although Makoto and Ryuji appear in the movie, it does feel like Saki’s story. Ryuji’s role is mostly supportive, and while Makoto does have several very important developments, he also takes up some backseats for Saki. While I admit to discovering Saki in the early days of the series, it wasn’t really a risk, as her usual behavior is obvious to date. It’s not her feelings about Makoto, although she does have questions midway through the movie, but her real feelings Own In questioning, it was an excellent jump point for her character.
As her mother reenters her life, Saky’s problems begin to become apparent, which is still an incitement to the film. Since her reappearance in her daughter’s life, Saky’s mother has almost been trying to build a relationship with a young woman who has her own complex feelings about the situation. In the eyes of her mother, she is still the little girl she left behind, and part of Saki is a person who doesn’t want to rock the boat. The anime is done well and can be seen from her mouth in many scenes with her mother, making her eyes look at her eyes, thus showing a good performance. This allows the audience to understand that Saki is saying what she thinks she should do, hiding her true feelings under a cheer that her mother is not enough to shock her.
Interestingly, her father became more aware. It does make sense; after all, she lives with her mother, and even if he lives abroad, he is a bigger part of her life. In some ways, he also carries a version of Saki that no longer exists. He firmly believed that her love for whales originated from a young daughter like him. But he did realize during his visit that he was his own person, not a carbon copy of himself or his ex-wife. More importantly, he didn’t ask her to live with him until after he had this epiphany, which shows that this is saki Now He was asking, not the phantom of the past.
In this movie, the main driving force of Saki’s arc is to reconcile her emotions about the family situation. She couldn’t even let herself accept McTor’s change completely until she got out of it, which I’m really grateful for. If you can’t really love yourself, it’s hard to love others, and while Saki and Makoto still have a lot to do in this regard, they both have made progress. That saki able It’s important to turn the face-to-face photos of her mother after a frustrating incident, and her collapse is a photo with her grandmother and few friends, which is a step to knowing she doesn’t know what you want. Ultimately, Saki doesn’t choose any parents. She chose herself, which was not her ability to be before episode 12.
This also leads to one of the best confession scenes I have seen in recent memory. Without much damage, it was both a physical callback to her initial confession to Makoto and a victory for the two who decided to try. This symbolizes how Makoto now has a quiet confidence to fight Fuji, rather than panic when he forgets to change from his girl’s uniform before going home. Saki realized she felt it was real. While I wouldn’t say it was foreshadowed when she met a whale in Hawaii, it was pretty beautiful to have the same sense of peace in the face of something overwhelming.
crunchyrollThe decision to release the movie was that four episodes ranged from twenty-four to eighteen minutes, which was a bit confusing. It feels as artificial as breaking it up like this, and although I think that makes it easier for people to stop and go back to it, it goes against the intentions of the movie. This is my only real complaint here, although I wish Ryuji had more call time. Overall, it’s a promising conclusion to the TV show. It leaves us with a beautiful message:
Be your identity. Love the person you want. Maybe it will be sunny tomorrow.



