Part One Bullets/bullets Ending with climax, in most stories leads to a lower uprising. After all, the gears prove to the working class that not only the upper classes (living in the seaside paradise) use their daily hard work, but their literal lifespan is also sneaked. Unfortunately, he then learns the other side of resilience and adaptability that humans possess, the fact that once we see it as “normal” we endure almost everything. In the eyes of the masses, they have food, drink and entertainment—not to mention a culture that sees it as a good thing and death of the celebration. Why is it all this dangerous just because of a child and some commercials they don’t understand?
The second part begins with the heartbroken equipment facing the simple fact that he provides everything to the people and they don’t care. They see him as more annoying than anything else. Now he was left in prison and rotten, nothing he did made sense, it had no effect.
As we quickly learn, this reflects this in the story of Gear’s Hero, Road. He and his companions used to try to tell people the truth, just like equipment. But despite the evidence, many people rejected it, and when a group of people acted violently, the road lost the person he cared most. He then gave up on the people and became one of the oppressors, doing unforgivable things, hoping to force change from the top.
The difference between roads and equipment is that the gear can be seen, and although he has not managed to change the world, his actions are far from meaningless. Even if you fail to make the world a better place, the people who see you fail may be inspired to continue your replacement. After all, Gear is such a proof. It is the road that inspired the equipment, and I want to understand the world first. While you may only be able to go this far, the next person who picks up the torch may surpass you and even follow the path for you.
Of course, the battle between indifference and belief is not the only theme explored in the second half of this series. There are also obvious comments about the nature of modern entertainment. People in this apocalyptic world are obsessed with a classic cartoon called “Gatcha”.
The idea explored in this cartoon is that people in the real world often choose to distract themselves with entertainment, so they don’t have to consider the hard issues in their lives. They care more about the fictional world than the real world they live in. All they want is a sequel, a spin-off or a remake. Villain at the top Bullets/bullets Just simply live and watch their comics. All the injustice they create is ultimately for this purpose.
This brings us to the next comment, which is a problem of over-reliance on AI. As the person in charge Bullets/bulletsThe “world” just wants to watch TV all day, and they have invested in AI to make sure that happens. Therefore, the society they created was stagnant. There is no progress, no direction for growth. Things will never get better because no one is on top of it and there is no reason to try to make it better.
In addition, AI cannot even complete its own tasks according to its own tasks. It has no actual creativity. It can’t make new cartoons, it requires humans and their real life to create a new story, which can then be copied and turned into a cartoon. And if this sounds like a thin prosecution of the “art” produced by AI, it’s just stolen from the works of what human artists create in their databases, it’s because it’s because of it.
Outside of social commentary, Part 2 Bullets/bullets It’s fun in the first part. We have top, likable characters and lots of comedy and action. There are more than just amazing “car-crazy” actions in the climax of the anime and the climax of leading position. From episode one, they can not only compete for the chase scene, but they also surpass it. It is visually amazing and has a lot of inner fun.
While the car scene is the highlight, that doesn’t mean the rest of the presentation is bad in any way. Art, music and animation all retain the level of quality seen in the first part of the anime, and the show never seemed or sounded bad at all.
The second half Bullets/bullets great. It’s full of theme exploration and social commentary, even if it provides some of the best car driving action for the animation. Add to that wild and fun character and a combination of direction and design, and you’ll have a series that’s definitely worth a look.
