Episode 4 – Call of the Night Season 2

One of the privileges of summoning original characters is that you can do whatever you want with them, and no one can do it and no one else can tell you. For example, I think it is reasonable to speculate that Kotoyama drafted this arc, drawing only Nazuna in the nurse’s garment. Parallel logic may work for the maid cafe plot we saw in our first season. That’s art.

The plot of this week begins with an exhibition of KO and Nazuna’s easy-going chemistry last week. Given that business is starting to be even bigger this season, I appreciate this extra downtime. Once again, I was easily pleased with how many horrible cats Nazuna has, who stuck to Ko’s back like a water ech in most hospital investigations. He is a soldier. I also like Nazuna’s passionate words about the ideal storytelling structure of NTR’s works. She often thinks about this, and like any critic who deserves salt, she expresses her feelings well. Furthermore, given the recent attacks on “NSFW” content by credit cards and payment processors, Nazuna’s request to viewers not confuse novels with reality is a special sage reminder.

Before digging into serious matters, I want to reiterate Call of nighta sense of humor. As the series becomes more and more drama-driven, this seems out of place, but to me the feature of this comedy keeps its tone. These jokes and cutaways are rarely annoying. They will soon bring a nudity to the audience of ribs, just like keeping pace. I find the characters and stories more attractive because they don’t take themselves 100% of the time seriously. I also want to applaud the extra horror texture of the adaptability added by Nazuna, as the shadowy face of the two crutches is shocking. This is very interesting.

But, Cabra is the real focus of the week. KO uses his wisdom to infer that she must have history with Nazuna, although he misses the mark in terms of the shape of the relationship. Nazuna also went on strike, but blood exchange proved to be a proper weird and vampire way to learn about Kabra’s past life. Also note that we have no answers this week about the origin of Nazuna. Another vampire Haru obviously looks the same as her, but we don’t know what that means yet. The narrative considers Cabra’s story more important, and there is good reason.

Vampires have a lot of versatility as metaphors, and Call of night Several of them are involved: free spirit, prejudice, parasites, predators, etc. Especially the series won’t draw them in a single color. At the end of last season, Hatsuka’s gender ineligibility raised the issue of vampire, as a queer metaphor, which is typical Call of night Fashionable, stride forward. Ko freely acknowledged his attraction to Hatsuka without doing much of his role, and Hatsuka has been one of his most helpful allies since then. But Kabura’s backstory involves queer identity in a more serious and oppressive shot, and the result is the most impacted dramatic shift in the series to date.

I like this part of the comics when I read it, but in the years since, I forgot it’s a clear spin around Kabura being a lesbian. The narrative draws a large parallel between her chronic illness and sexual behavior, as her friends and family are rejected and ignored. We have to read some of it between two lines. For example, in a single scene that takes place in her home, her mother doesn’t even look at her, telling Cabra not to cause trouble for her father. That’s all we need to know about her parents being ashamed of her. Her heart sank when their new boy acquaintance joins the crew when she finally meets with friends. They ruined the party atmosphere, hit her awkwardly, and then gossiped behind her. Her friends did mention to those guys that Cabra didn’t like men, which could be explained as useful, but the interesting tone of the conversation around them painted a more striking picture. This reminds you that Kabura is not one of them. She can’t party like they did. She couldn’t help but rest. She can’t ski. She can’t flirt with men. They made her feel shit.

Haru appears before Kabura as she walks to the roof with anger, anger and self-destructive state. It’s a good metaphor for their relationship, and Haru has always been the only supportive existence we’ve seen. Although she is a nurse, Haru goes beyond her responsibilities. She peeled and cut an apple, joked, and said what she thought. She took a shower on both sides of Cabra. The sexual implications of fruit sharing and sponge bath are especially loud, and Cabra’s desires collapse around her like a thunderstorm on that roof. Kabura was confused and affirmed by herself at the same time, confessing to her love for a long time. Unlike every other person in her life, Haru supports Kabura’s self-deprecating and accepts her. Kabura is also bathed in the light of the blood moon, accepts herself, becomes a vampire, essentially a monster, a freak and a prejudiced person. With Haru’s helpfulness and loving temptation, Kabura embraces the freedom that the territory brings.

Call of night This short and complex story about Cabra’s self-discovery stretches out its own craftsmanship. It transformed her from a secondary character to someone I deeply resonate with. Anime is not slacking off. While some of the polishing pieces in the previous episodes are decreasing (which is not surprising), the dynamic color changes and plot boards of the climax still point to an adaptation of active participation. Even summarize Creepy nutty “losstime” It was an inspirational choice during the flight in Kabura, responding to KO’s previous romantic experience with Nazuna. This show is great, hikaru died in summerI was spoiled this season when writing about queer themes that intersect with horror objects.

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Call of night Season 2 is currently on the air
Hidive.

Steve is on Bruceky Meet all your release needs. They like the normal number of Anko Uguisu. You can also catch them talking about garbage and treasure This week’s animation.